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Los Angeles Performance PracticeLos Angeles Performance Practice
  • About Us
    • Staff & Board
    • History
    • Cultural Equity & Inclusion Policy
  • Field Initiatives
    • BRIDGE THE GAPS
    • CAC Individual Artist Fellowships
      • Press + Media
    • L.A. GATHERS
    • LA LGBTQ+ ARTS & CULTURE COALITION
    • New Music Inc
  • Programs For Artists
    • ACCELERATOR 2025
      • PAST ACCELERATORS
    • CASUAL
    • FREE ADVICE
    • RESEARCH + DEVELOPMENT
    • WORKSHOPS
  • LAX Festival
    • Past Programs
  • Creative Producing
    • ALL TIME STOP NOW
    • NORRI
  • Support Us

Gina Young (she/they) is an award-winning playwright, director, songwriter, and curator of live performance. Her plays and musicals include This Is Why I Don’t Come Home, STRAIGHT PLAY: a queer beach blanket musical, sSISTERSs, BUTCH BALLET, and Femmes: A Tragedy. Their screenwriting debut ROOM TONE, starring Roberta Colindrez (Fun Home, Cult of Love) and directed by Whitney White (WALDEN, Jaja’s African Hair Braiding), is a winner and finalist at numerous film festivals worldwide.

Gina’s work has been presented by The Hammer Museum, The Museum of Contemporary Art (MOCA), REDCAT, Los Angeles Performance Practice, USC’s Visions &Voices Series, The Annenberg Community Beach House, Greystone Mansion, The Los Angeles LGBT Center, and the Feminist Center for Creative Work, as well as nationally and internationally.

Gina is a winner of the Jane Chambers Award for Playwriting, a two-time finalist for Center Theatre Group’s Sherwood Award for boundary-pushing theatre artists, a winner of a MAP Fund Grant, and a winner of the Humanitas/PLAY LA Prize. She is a member of the Kilroys, the Dramatists Guild, and the Ring of Keys. They studied Drama at NYU/Tisch.

At the core of Gina’s creative practice is making space for marginalized voices. She is the creator of SORORITY, a salon for new short works by women, trans, nonbinary, and queer performing artists working in Los Angeles. They are also the creator of Feminist Acting Class, a radical experiment in actor training that seeks to eliminate institutionalized bias. They carry this practice of uplifting marginalized voices into all of the work that they do, and have worked with arts organizations in numerous capacities ranging from consulting to marketing, including Center Theatre Group, Seattle Opera, LA Opera, and the Performance Art Museum.

 

Photo by Owen Scarlett courtesy of The Center for Provocative Thought

Meet More Team Members

William Ruiz Morales

William Ruiz Morales

Artist + Director of Field Initiatives + Creative Producing

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Jazz Zhu

Jazz Zhu

Programming + Producing Intern

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Tishi Avvaru

Tishi Avvaru

CRM + Digital Methodologies Intern

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Marsian De Lellis

Marsian De Lellis

Artist + Director of Creative Resourcing

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Our Programs for Artists and Individual Artist Fellowships are supported in part by the California Arts Council, a state agency. Learn more at www.arts.ca.gov. Los Angeles Performance Practice is supported, in part, by The Perenchio Foundation, The Mellon Foundation, The Los Angeles County Board of Supervisors and Arts and Culture, and the Los Angeles Department of Cultural Affairs.

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2023 Programs ACCELERATOR Ace Hotel D.T.L.A. Andrew Schneider Anna Luisa Petrisko Artist Programs Artist resouces Automata bridge the gaps BtG_NEST CAC IAF California Arts Council d. Sabela grimes DaEun Jung Daniel Corral ELECTROGYNOUS For Parents/Guardians Free Advice Gina Young Individual Artist Fellowships Internship Internships interview Isabel Toledo LAX Festival Liz Toonkel Marsian De Lellis Milka Djordjevich Miranda Wright MOriah Evans Netta Yerushalmy Now Hiring Paramodernities Pentimento Programs for Artists R+D R+D Residency Remains Persist riting.org Sharon Chohi Kim stephanie zaletel szalt dance co. word of mouth Workshop Workshops
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