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Los Angeles Performance PracticeLos Angeles Performance Practice
  • About Us
    • Staff & Board
    • History
    • Cultural Equity & Inclusion Policy
  • Field Initiatives
  • Programs For Artists
    • ACCELERATOR
    • CASUAL
    • FREE ADVICE
    • RESEARCH + DEVELOPMENT
    • WORKSHOPS
  • LAX Festival
    • LAX MICRO FEST 2025
    • Press + Media
    • Past Programs
  • Creative Producing
    • ALL TIME STOP NOW
    • NORRI
  • CAC Individual Artist Fellowships
    • Press + Media
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DANCE / CONVERSATION

The Hybrid Lab: Conversations in Merging Dance Cultures

Curated by Amy O’Neal

September 27, 2019 at The Vortex

An evening of short works in development by artists who embody a practice of multiple dance cultures with hip hop and house dance at the center.

The dance world is becoming increasingly hybrid in terms of how dancers identify and how dance practices are shared cross culturally. In mainstream culture, hip hop dance is often seen as pure entertainment, but more experimental and hybrid approaches have been happening in both the underground and performance contexts for several years. This platform initiates a deeper understanding of the cultural values of hip hop and street dance practices in the contemporary performance context as a counter narrative to tokenization.

Featuring work from Aisha and Stephen, Tom Tsai, Alex and Jesse from SyntheSoul, and Amy O’Neal

Followed by post show discussion with the artists.

Amy O’Neal has been merging hip hop and contemporary dance within the contemporary performance context since 2000 to challenge notions of race, gender, and the sampling nature of creativity. As a white woman, she is a guest practitioner of black social dance culture in the cypher, in battles, and as an event organizer. She teaches hip hop party dances, house dance, freestyle techniques/mindset, contemporary dance, composition, and lectures on black social dance historical context and culture at USC Glorya Kaufman School of Dance.

https://www.amyoneal.com/

Photo Highlights

Photo Credits: Brian Hashimoto


This presentation is made possible in part by a grant from the City of Los Angeles Department of Cultural Affairs.

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Our Programs for Artists and Individual Artist Fellowships are supported in part by the California Arts Council, a state agency. Learn more at www.arts.ca.gov. Los Angeles Performance Practice is supported, in part, by The Perenchio Foundation, The Mellon Foundation, The Los Angeles County Board of Supervisors and Arts and Culture, and the Los Angeles Department of Cultural Affairs.

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